*The FX9 requires the XDCA-FX9 Extension unit and both the FX6 and FX9 require the AtomX SDI module with RAW activation (or the Pro Kit). Customers of both Atomos and Sony will now be able to experience the benefits of working with images at a high frame rate and resolutions, whilst recording in pristine ProRes RAW directly from the Ninja V+ Pro Kit monitor-recorder for maximum flexibility in the edit. To support SDI users, we are also introducing the Ninja V+ Pro Kit which comes packed with additional accessories and enables 4Kp120 ProRes RAW recording mode from the SDI RAW output of the Sony’s FX9* and FX6*. Add to this the benefit of being able to play back the high-frame rate video captured on the Ninja V+ with your choice of over cranked framerate for real-time preview. Fully harness the dynamic range of the sensor and capture every aspect of motion and movement directly via RAW over HDMI. Included in the codec arsenal is the ability to record video inputs using the10-bit H.265 (HEVC) codec for high quality compressed recordings with small file sizes, which is perfect for the world we now live in, where streaming and sharing online has dramatically increased.Ĭapture and visualise the unseen with 4Kp120 recording at up to ProRes RAW from the Ninja V+ and the Z CAM E2 and E2-M4 models. Delivering support for continuous recording of 8Kp30 and 4Kp120 in Apple ProRes RAW adding to the great workflow of Ninja V, that bringtogether the great partnerships with camera manufactures and the world’s leading editing systems for our customers. The Ninja V+ delivers high quality accurate monitoring and extended recording capabilities for your camera of choice. Welcoming the Ninja V+Ītomos is excited to reveal the new Ninja V+ and Ninja V+ Pro Kit, building on the foundation of the Ninja V, coming to you in May 2021. Atomos Ninja V+ 5″ 8K HDMI H.265 Raw Recording Monitor. Atomos will be adding these features through a simple one-click $99 upgrade from my. in May 2021. The popular Ninja V is the workhorse and creative tool of choice for the wider film and pro-video industries and will now benefit from the addition of H.265 workflows, with up to 4Kp60 10-bit 4:2:2 full ‘i’ frame with options for 8-bit at various data rates.
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